| Title | Publication | Year |
|---|---|---|
To Know Which Way the Wind Blows: An Interview With Paul N. EdwardsA conversation with the science and technology scholar. Published in print as part of the Are.na Annual and online with Dirt. Link |
Are.na | 2025 |
The Same Stream Twice: On Liz Pelly’s ‘Mood Machine’ and Andrew deWaard’s ‘Derivative Media’An essay about streaming platforms and the financialization of the music, film, and television industries. Link |
n+1 | 2025 |
A Network of Global Incinerators: On Hito Steyerl’s ‘Medium Hot’ |
Los Angeles Review of Books | 2025 |
An Interview With Jennifer WalsheA conversation with the experimental opera composer on the occasion of her 2025 book, ‘13 Ways of Looking at AI, Art & Music.’ Link |
BOMB | 2025 |
Basic Channel: ‘BCD’ (Sunday Review)An essay about the legacy of ‘BCD,’ the 1995 compilation from the influential Berlin techno duo Basic Channel. Link |
Pitchfork | 2024 |
Louder in Japan: On Nick Dwyer’s ‘A Century in Sound’ and the Globalization of Japanese Listening Bars |
Dirt | 2024 |
On Laine Nooney’s ‘The Apple II Age’ |
Information & Culture | 2024 |
On the Tyranny of ‘Core’ |
Nina Protocol | 2023 |
William Eggleston: ‘512’ |
Pitchfork | 2023 |
‘Oliver Anthony for President’: What We Saw at Viral Songwriter’s Concert |
Rolling Stone | 2023 |
Ryuichi Sakamoto: ‘12’ |
Pitchfork | 2023 |
Hooked on Phonetics: On Sound Poetry and Recital Program’s ‘Chorus’ Festival |
Artforum | 2022 |
Fred Moten/Brandon López/Gerald Cleaver: ‘Moten/López/Cleaver’ |
Pitchfork | 2022 |
clair rousay: ‘a softer focus’ |
Pitchfork | 2021 |
An Interview With Dorian Electra |
The Fader | 2020 |
Sarah Rothberg and Marina Zurkow’s Aquacentric Worldview Gets Tangled in Tech |
Art in America | 2020 |
On João Gilberto and Bossa Nova MusicA history of the genre written and published as part of the “Noisey Guide to Getting Into...” series. Link |
Vice | 2019 |
The Artists Using Artificial Intelligence to Dream Up the Future of MusicAn essay about the use of artificial intelligence in music composition that includes interviews with Holly Herndon, Mat Dryhurst, Dadabots, YACHT, and more. Link |
SPIN | 2019 |
On City Pop, Tokyo’s Lush 80s Nightlife SoundtrackA history of Japanese city pop written and published as part of the “Noisey Guide to Getting Into...” series. Co-written with Sam Goldner. Link |
Vice | 2019 |
On Mark Fisher, the Marxist Pop-Culture Theorist Who Influenced a GenerationAn essay about the cultural theorist and his blog on the occasion of its release as a printed collection. Link |
The Nation | 2018 |
Sophie: ‘Oil of Every Pearl’s Un-Insides’ |
SPIN | 2018 |
Unlimited Editions: On Digital Art Provenance and Blockchain TechnologyAn essay about born-digital art, its place in the contemporary art market, and various artists-led projects involving early blockchain technologies. Link |
Real Life | 2018 |
Stack Music: On Streaming Platforms and the Value of Creative Labor |
Tiny Mix Tapes | 2017 |
On Yellow Magic OrchestraA history of the Japanese pop trio written and published as part of the “Noisey Guide to Getting Into...” series. Link |
Vice | 2017 |
An Interview With Alex G |
SPIN | 2017 |
On Lo-Fi House, the First Genre of the Algorithm Age |
Vice | 2017 |
Mightier Than the Sword: On Raymond Pettibon |
The Quietus | 2017 |
On the Suzuki Violin Method |
The Awl | 2017 |
Sonic Youth: On Noise and Protest Music |
Real Life | 2016 |
Tim Hecker: ‘Love Streams’ |
The Quietus | 2016 |
Bing & Ruth: ‘City Lake’ |
The Quietus | 2016 |